Quentin Matsys
Flemish Northern Renaissance Painter, ca.1465-1530,Flemish painter. After studying in Louvain, he moved to Antwerp by 1491, remaining in that city throughout his life. Influences of Italian art, especially of Leonardo da Vinci, may be seen in his work, particularly in the delicate modeling, the subtle nuances of tone, and in the adoption of Leonardo's grotesque head studies for such pictures as The Old Man (Jacquemart-Andre Mus., Paris) and Ugly Duchess (National Gall., London). Massys sought inspiration also in works of earlier Flemish artists, especially of Jan van Eyck. The combined Flemish and Italian influences aided Massys in evolving a calm and measured style, with solid figures and soft textures. He developed a type of portraiture in which the sitter was placed against an appropriate background, as in his painting of St. Erasmus surrounded by books and papers (National Gall., Rome). There are religious subjects and portraits by Massys in the museums of Munich, Brussels, Antwerp, Chicago, and Philadelphia. Quentin's son, Jan Massys, c.1509?C1575, painted satirical and later more elegant works under French influence. Judith (Mus. of Fine Arts, Boston) is characteristic. Another son, Cornelis Massys, d. after 1560, was a landscape painter and engraver. Related Paintings of Quentin Matsys :. | Virgin and Child | Matched Marriage | St Anne Altarpiece | Virgin and Child | St John Altarpiece | Related Artists: Benjamin Sayre Cory Kilverta fine arts painter
Canadian , 1879-1946
Thomas Mann Baynes (1794 ?C 1876) was a London born English artist known for his drawings and watercolours of landscapes, buildings and outdoor events. Many of his subjects were engraved and published, generally in London, and these include a notable panorama of the River Thames, which was drawn from nature and engraved on stone. He was the son of James Baynes, a noted watercolour artist.
Baynes also produced views of Liverpool and Ireland, and appears to have made a successful living as a printer prior to his death in 1854. His son Fredrick Thomas Baynes (1824-1874) was also a noted watercolour artist.
PIAZZA, CallistoItalian painter, Lombard school (b. ca. 1500, Lodi, d. ca. 1561, Lodi)
Early collaborative projects with Martino and Albertino remain problematic. He probably moved to Brescia in 1523; the first major extant dated work is a Nativity (1524; Brescia, Pin. Civ. Tosio-Martinengo), painted for S Clemente, Brescia. In Brescia he studied the work of Moretto da Brescia and of Gerolamo Romanino, with whom he may have collaborated. Their influence is seen in the Visitation (1525; Brescia, S Maria Calchera) and especially in the group of works painted for churches in the Valcamonica. These include a Deposition (1527; Esine parish church); a Virgin Enthroned with Saints (Breno, S Antonio); a frescoed lunette of the Virgin Enthroned with Saints
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